GuitarCleanRiff80% confidence
Riverboat Fantasy Riff Guitar Tone Settings — David Wilcox
David Wilcox · 1970s · blues
studio
Original Recording
Guitar
Gibson ES-335 (estimated, based on Wilcox's known use and the tone on the recording)
Pickups
Gibson humbuckers (PAF-style, estimated)
Amp
Fender Twin Reverb (estimated, based on genre, era, and typical Wilcox setups)
Pickup Position
Neck pickup
Studio recording, original release 1977. No direct evidence for exact gear for this song/section; estimation based on Wilcox's typical late 1970s studio setup and the clean, articulate tone of the riff. No evidence of pedals or unusual amp choices in available sources.
Amp Settings
Mids6
Bass6
Gain0
Reverb4
Treble7
Presence5.5
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- bright and articulate
- warm and woody
- clear note separation
- touch-sensitive
- slight amp breakup at peaks
- light spring reverb ambience
- percussive attack
- open, airy top end
- studio clarity
- semi-hollow resonance
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No direct sources found specifying the exact guitar, amp, or pedal setup for 'Riverboat Fantasy' riff section.
- All gear and settings are estimated based on Wilcox's typical late 1970s studio rig, genre, and the clean, semi-hollow sound on the recording.
- No evidence of pedal use or amp-based effects beyond spring reverb; no chorus, delay, or modulation audible.
- If more specific studio documentation or interviews surface, these estimates should be updated.
- Settings cross-referenced with genre and era conventions for accuracy. David Wilcox's 'Riverboat Fantasy' riff features a clean, articulate acoustic-electric tone with warmth and clarity, likely from a piezo pickup and subtle amp coloration. The settings reflect a clean channel with boosted mids and bass for body, moderate treble for shimmer, and moderate reverb for space, matching Wilcox's typical fingerstyle and production approach of the late 80s/early 90s.