Right Here In My Arms — HIM1 / 2
Original RigYour Adaptation
GuitarDistortedRiff60% confidence

Right Here In My Arms Riff Guitar Tone Settings — HIM

HIM · 2000s · rock

studio

Original Recording

Guitar
Gibson Flying V
Pickups
Humbuckers (likely stock Gibson pickups from late 90s Flying V)
Amp
Marshall Valvestate 8100
Pickup Position
Bridge pickup

Studio recording, 1999-2000 (Razorblade Romance album). Guitar and amp confirmed for this era and song via Equipboard and video evidence. ZVex Fuzz Factory pedal confirmed for album and song. No evidence of additional pedals or amp effects for riff section.

Amp Settings

Mids
6
Bass
5.5
Gain
7.5
Reverb
1.5
Treble
7
Presence
6.5

Effects Chain

  • ZVex Fuzz Factory · fuzz

Guitar → ZVex Fuzz Factory → Marshall Valvestate 8100 (with light spring reverb)

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • fuzzy and saturated
  • tight and percussive
  • aggressive attack
  • mid-forward
  • buzzsaw-like fuzz texture
  • articulate and defined
  • compressed
  • sustained power chords
  • slightly scooped but present mids
  • crisp pick attack

Notes & Caveats

  • ⚠️No direct numeric amp settings found; values estimated based on typical Marshall Valvestate 8100 usage for high-gain rock in late 90s/early 2000s.
  • ⚠️Guitar and amp confirmed for this song/era via Equipboard and video evidence; ZVex Fuzz Factory pedal confirmed for album and song via Ultimate Guitar forum.
  • ⚠️No evidence of additional pedals or amp effects (delay, chorus, etc.) for the riff section; only fuzz/distortion is clearly audible.
  • ⚠️Pickup choice inferred from tone and genre (bridge pickup for aggressive riff).
  • ⚠️Settings are for studio recording, not live.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Linde's riff tone on 'Right Here In My Arms' is saturated and tight, with a modern high-gain Marshall character—likely a JCM800 or 900 with a boost, moderate mids for punch, tight bass to avoid muddiness, and enough treble/presence for clarity. The production is dry and focused, with minimal reverb.

Sources