GuitarDistortedRiff80% confidence
Quando o Sol Bater na Janela do Seu Quarto Guitar Tone Settings
Barão Vermelho · 1990s · rock
studio
Original Recording
Guitar
Gibson Les Paul Standard (likely 1980s-1990s, as used by Barão Vermelho guitarist Frejat in studio recordings of this era)
Pickups
Humbucker (Gibson stock, likely 490R/498T or similar for late 80s/early 90s Les Paul Standard)
Amp
Marshall JCM800 2203 (typical for Brazilian rock recordings of this era and used by Frejat in studio/live setups)
Pickup Position
Bridge pickup
Studio recording, 1994 album 'Barão Vermelho'; no direct source for this exact session, but all available evidence and genre/era context point to this setup. No evidence of pedal use for the main riff, just guitar into amp with possible amp reverb.
Amp Settings
Mids7
Bass6.5
Gain4.5
Reverb2.5
Treble6.5
Presence5.5
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Tone Character
- warm and mid-focused
- crunchy but not saturated
- articulate and dynamic
- slight breakup on chords
- tight and punchy attack
- full-bodied humbucker sound
- open, uncompressed feel
- subtle amp reverb adds space
- no audible modulation or delay
- classic rock rhythm clarity
Notes & Caveats
- No direct source confirms the exact gear or settings for this specific recording; all gear and settings are estimated based on Frejat's known studio/live rigs from the 1990s, typical Brazilian rock production, and critical listening.
- No evidence of pedal use or modulation/time-based effects in the main riff; if any effects are present, they are likely limited to subtle amp spring reverb.
- Settings are estimated based on typical Marshall JCM800 usage for classic rock rhythm tones; no numeric settings found in sources.
- Pickup choice inferred from the bright, punchy, mid-forward tone characteristic of a Les Paul bridge pickup in this genre/era.
- Settings cross-referenced with genre and era conventions for accuracy. The riff tone is classic Brazilian rock from the early 90s: edge-of-breakup with a warm, mid-forward character, likely using a Fender or Marshall-style amp. The sound is punchy but not heavily distorted, with balanced EQ and subtle reverb for space, matching Barão Vermelho's typical production and gear of the era.