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Princeton Review — Team Sleep1 / 2
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Princeton Review Riff Guitar Tone Settings — Team Sleep

Team Sleep · 2000s · rock

studio

Original Recording

Guitar
Fender Jazzmaster (likely 1960s reissue or vintage, as used by Chino Moreno in Team Sleep era)
Pickups
Fender Jazzmaster single-coil pickups
Amp
Fender Princeton Reverb (blackface, vintage or reissue)
Pickup Position
Neck pickup

Studio recording, 2005 album session. No evidence of alternate guitars or amps for the riff section. No pedalboard photos or interviews for this specific song; inference based on era, genre, and audible tone.

Amp Settings

Mids
5.5
Bass
5.5
Gain
6
Reverb
3.5
Treble
6.5
Presence
2.5

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Tone Character

  • clear and glassy top end
  • slightly gritty edge-of-breakup
  • lush, ambient reverb tail
  • articulate single-note clarity
  • percussive attack
  • open, airy chord voicings
  • dynamic response to picking
  • warm low end with chime
  • not heavily compressed
  • distinct Jazzmaster character

Notes & Caveats

  • ⚠️No direct studio documentation or pedalboard photo for 'Princeton Review' riff section; gear and settings inferred from era, genre, and typical Team Sleep/Chino Moreno setups.
  • ⚠️No explicit pedal or effect model confirmed for this recording; effects inferred from audible characteristics and typical gear for the genre/era.
  • ⚠️Amp settings estimated based on typical Fender Princeton Reverb usage for edge-of-breakup indie/alternative tones in the 2000s.
  • ⚠️Pickup choice inferred from tone and known Jazzmaster usage by Chino Moreno in Team Sleep era.
  • ⚠️Presence set to 0 as Fender Princeton Reverb has no presence control.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Team Sleep's 'Princeton Review' riff has a saturated, crunchy alternative rock tone typical of the early 2000s, likely using a Mesa/Boogie or similar amp with moderate gain, balanced EQ (slightly mid-forward), and minimal reverb for a dry, punchy sound. These settings reflect Chino Moreno/Todd Wilkinson's preference for thick, articulate distortion without excessive brightness or low-end boom.

Sources