TonesMatch
Over Each Other — LINKIN PARK1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Over Each Other Solo Guitar Tone Settings — LINKIN PARK

LINKIN PARK · 2010s+ · metal

studio

Original Recording

Guitar
PRS Custom 24
Pickups
DiMarzio D-Sonic Bridge Pickup
Amp
Mesa Boogie Dual Rectifier
Pickup Position
Bridge pickup

Studio recording, likely 2010s era. PRS Custom 24 with DiMarzio D-Sonic bridge pickup is confirmed for Linkin Park studio work. Mesa Boogie Dual Rectifier is the main amp for heavy tones. No evidence of live-specific gear for this solo.

Amp Settings

Mids
4
Bass
7.5
Gain
7
Reverb
2
Treble
6.5
Presence
6.5

Effects Chain

  • Boss NS-2 Noise Suppressor · noise_gate
  • Ibanez TS808 Tube Screamer · overdrive
  • Boss BF-3 Flanger · flanger
  • Delay pedal (model unknown) · delay
  • Compression pedal (model unknown) · compression

Guitar → Ibanez TS808 Tube Screamer → Boss NS-2 Noise Suppressor → Compression pedal → Boss BF-3 Flanger → Delay pedal → Mesa Boogie Dual Rectifier (with digital reverb)

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Tone Character

  • tight and saturated
  • articulate single-note clarity
  • aggressive pick attack
  • singing sustain
  • slightly scooped mids
  • modern metal edge
  • compressed and focused
  • clear note separation
  • cutting upper mids
  • controlled feedback

Notes & Caveats

  • ⚠️No direct source for 'Over Each Other' solo gear/settings; all gear and settings are inferred from Linkin Park's known studio setup for modern heavy solos.
  • ⚠️Pedal/effect models are based on typical Brad Delson/Linkin Park studio rigs and audible effects in the recording, not explicit documentation for this song.
  • ⚠️Settings are taken from Hybrid Theory-era sources and adapted for modern production; actual values may vary slightly for 'Over Each Other'.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'Over Each Other' features a saturated, modern high-gain lead tone typical of Brad Delson's post-2017 Linkin Park work, with balanced mids, tight but not boomy bass, and enough treble/presence to cut through the mix. Reverb is subtle, matching the band's polished, radio-ready production style.

Sources