Opus Pocus — Jason Becker1 / 2
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Opus Pocus Riff Guitar Tone Settings — Jason Becker

Jason Becker · 1980s · metal

studio

Original Recording

Guitar
Carvin DC200
Pickups
Carvin M22 humbuckers
Amp
Marshall JCM800
Pickup Position
Bridge pickup

Studio recording, 1988. Gear confirmed for Becker's Cacophony era and referenced for 'Opus Pocus' riff section. Boss SD-1 used as boost into Marshall JCM800. No evidence of additional pedals or rack effects for riff section.

Amp Settings

Mids
6
Bass
6
Gain
7.5
Reverb
1
Treble
7.5
Presence
6.5

Effects Chain

  • Boss SD-1 Super OverDrive · overdrive

Carvin DC200 → Boss SD-1 Super OverDrive → Marshall JCM800 (minimal spring reverb)

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Tone Character

  • crisp and crunchy
  • tight and percussive
  • aggressive palm muting
  • bright and articulate
  • high-gain saturation
  • exaggerated high-end EQ
  • ferocious attack
  • clear note separation
  • minimal ambience
  • focused midrange

Notes & Caveats

  • ⚠️No direct studio documentation for 'Opus Pocus' riff section, but all cited sources agree on Carvin DC200 with M22 humbuckers into Marshall JCM800 boosted by Boss SD-1 for this era.
  • ⚠️No numeric amp settings found; values estimated based on typical 1980s Marshall JCM800 metal tones and genre/era conventions.
  • ⚠️No evidence of additional pedals or modulation/time-based effects in riff section; only Boss SD-1 confirmed as boost.
  • ⚠️Reverb set to minimum based on source guidance ('minimum of reverb').
  • ⚠️Pickup choice inferred from 'bridge pickup (humbucker)' recommendation in Guitar World and genre-typical usage.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Jason Becker's 'Opus Pocus' riff section features a saturated, articulate 80s shred tone with tight lows, slightly scooped mids, and bright, cutting highs typical of late-80s neoclassical metal. The amp settings reflect his likely use of a high-gain Marshall or similar amp with minimal reverb and boosted presence for clarity.

Sources