TonesMatch
Nothing On My Back — Sum 411 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Nothing On My Back Solo Guitar Tone Settings — Sum 41

Sum 41 · 2000s · punk

studio

Original Recording

Guitar
Gibson Les Paul Standard (likely 1990s/early 2000s, used by Dave Baksh in studio)
Pickups
Humbuckers (Gibson stock, likely 490R/498T or similar)
Amp
Diezel Herbert, Bogner Uberschall, Marshall JCM800 (all blended in studio recording)
Pickup Position
Bridge pickup

Studio recording for 'All Killer No Filler' (2001); multiple amps blended for album tones; solo likely tracked with Les Paul into Diezel Herbert and/or Bogner Uberschall for saturated lead tone. No evidence of live/touring rig or alternate guitars for this solo.

Amp Settings

Mids
6
Bass
6
Gain
8
Reverb
2
Treble
7
Presence
6.5

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Tone Character

  • tight and percussive
  • singing sustain
  • articulate lead lines
  • fat, yet tight, bottom end
  • midrange roar
  • compressed, focused highs
  • aggressive pick attack
  • cutting solo presence
  • harmonic saturation
  • brown tone sparkle and warmth

Notes & Caveats

  • ⚠️No explicit pedal or effect settings for 'Nothing On My Back' solo found in sources; amp and guitar models confirmed for album sessions.
  • ⚠️Amp settings estimated based on typical Diezel Herbert/Bogner Uberschall usage in early 2000s punk/rock studio context.
  • ⚠️No direct evidence of pedals used in this solo; no delay, chorus, or modulation effects are clearly audible in the solo section.
  • ⚠️If additional effects are audible in isolated tracks, update accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Sum 41's 'Nothing On My Back' solo features a tight, punchy pop-punk high-gain tone typical of late 90s/early 2000s, likely using a Marshall JCM or Mesa Dual Rectifier with moderate mids, slightly boosted treble/presence for clarity, and minimal reverb for a dry, in-your-face mix. These settings reflect the genre's conventions and the band's known amp choices.

Sources