My Generation — Limp Bizkit1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

My Generation Riff Guitar Tone Settings — Limp Bizkit

Limp Bizkit · 2000s · metal

studio

Original Recording

Guitar
Ibanez RG7 7-string (likely RG7620 or UV7, as used by Wes Borland on Chocolate Starfish sessions)
Pickups
DiMarzio Blaze (stock on UV7) or Ibanez V7/V8 (stock on RG7620) humbuckers
Amp
Mesa/Boogie Dual Rectifier (studio recording, Chocolate Starfish era)
Pickup Position
Bridge pickup

Studio recording, 2000 (Chocolate Starfish and the Hot Dog Flavored Water). Guitar tuned to C# standard (C# F# B E G# C#). Floyd Rose tremolo used for whammy effects. No evidence of additional effects pedals used for the riff section; distortion from amp. Noise gate likely used for tightness. No evidence of modulation or time-based effects on riff.

Amp Settings

Mids
4.5
Bass
6
Gain
8
Reverb
0
Treble
7
Presence
6.5

Effects Chain

  • Noise gate (model unknown, likely Boss NS-2 or similar) · noise_gate

Guitar → Noise gate → Mesa/Boogie Dual Rectifier (no amp reverb, no effects loop)

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Tone Character

  • tight and percussive
  • aggressive and saturated
  • chunky low end
  • articulate pick attack
  • dry, immediate response
  • minimal noise (gated)
  • modern nu-metal crunch
  • heavy, detuned riffing
  • whammy bar pitch manipulation

Notes & Caveats

  • ⚠️No direct studio amp settings found; values estimated based on typical Mesa/Boogie Dual Rectifier settings for nu-metal in 2000s.
  • ⚠️Guitar model inferred from era and known studio use; Ibanez RG7/UV7 confirmed for Chocolate Starfish sessions.
  • ⚠️No evidence of additional pedals (distortion, modulation, or time-based) used on the riff section; all distortion from amp.
  • ⚠️Noise gate is likely but not confirmed for this exact recording; included due to genre and playing style.
  • ⚠️No evidence of chorus, flanger, delay, or reverb on the riff section; dry, tight tone is audible.
  • ⚠️Pickup model may vary between RG7620 and UV7; both used by Borland in this era.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Wes Borland's 'My Generation' riff tone is a tight, modern, high-gain sound with pronounced attack and clarity, typical of late 90s/early 2000s nu-metal. The mids are slightly scooped for aggression, bass is controlled for tightness, treble and presence are boosted for cut, and the tone is bone-dry with no reverb.

Sources