Moth — Audioslave1 / 2
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Moth Riff Guitar Tone Settings — Audioslave

Audioslave · 2000s · rock

studio

Original Recording

Guitar
Fender 'Sendero Luminoso' Telecaster
Pickups
Single-coil pickups
Amp
Marshall JCM800 2205 (50W) head with Peavey 4x12 cabinet (Celestion G12K-85 speakers)
Pickup Position
Bridge pickup

Studio recording, 2006

Amp Settings

Mids
6.5
Bass
6
Gain
7
Reverb
1.5
Treble
6.5
Presence
6

Effects Chain

  • DigiTech WH-1 Whammy · pitch_shifter
  • Dunlop Cry Baby Wah · wah
  • Boss DD-2 Digital Delay · delay
  • MXR Phase 90 · phaser
  • Boss TR-2 Tremolo · tremolo
  • DOD FX40B Equalizer · eq

Guitar → DigiTech WH-1 Whammy → Dunlop Cry Baby Wah → Boss DD-2 Digital Delay → MXR Phase 90 → Boss TR-2 Tremolo → DOD FX40B Equalizer → Marshall JCM800 2205 → Peavey 4x12 cabinet

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Tone Character

  • tight, punchy distortion tones
  • aggressive bite
  • mid-pushed high-gain tone
  • thick, mid-heavy tone
  • searing top-end for clarity and bite

Notes & Caveats

  • ⚠️Specific amp settings for 'Moth' are not documented; settings are estimated based on similar Audioslave songs.
  • ⚠️Exact pickup selector position is inferred based on typical usage for similar tones.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Tom Morello's tone in 'Moth' is characterized by a high-gain, crunchy sound typical of hard rock, with a balanced EQ to cut through the mix. The reverb is subtle, providing a slight ambience without overwhelming the tone.

Sources