GuitarDistortedRiff80% confidence
Mi stanno sul cazzo i fricchettoni Guitar Tone Settings
Davide Di Rosolini · 2010s+ · rock
studio
Original Recording
Guitar
Unknown (no evidence found for exact model on this recording)
Pickups
Unknown (no evidence found for exact type/model on this recording)
Amp
Unknown (no evidence found for exact model on this recording)
Pickup Position
Unknown (no evidence found for selector position on this recording)
No direct sources or photographic evidence found for the exact guitar, pickups, or amp used by Davide Di Rosolini on the studio recording of 'Mi stanno sul cazzo i fricchettoni' riff section. No live or studio rig rundown available. All gear details are unknown for this specific recording and section.
Amp Settings
Mids6.5
Bass6
Gain4.5
Reverb3.5
Treble6.5
Presence5.5
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Tone Character
- crunchy rhythm
- moderate sustain
- slightly compressed
- present mids
- articulate attack
- clear note separation
- mild breakup
- dynamic response
- moderate warmth
- slight room ambience
Notes & Caveats
- No direct sources found for the exact guitar, pickups, amp, or pedal models used on the studio recording of 'Mi stanno sul cazzo i fricchettoni' riff section.
- No numeric amp or pedal settings found in any available sources; all settings are estimated based on typical rock tones from the 2010s+ era.
- No evidence found for pickup selector position or guitar knob settings; values are estimated.
- No evidence found for pedals or effects used on this specific recording; effects section is based on absence of audible effects and lack of source data.
- If future evidence emerges (photos, interviews, session notes), this data should be updated.
- Settings cross-referenced with genre and era conventions for accuracy. The riff section features a slightly gritty, edge-of-breakup tone typical of Italian cantautorato/folk-rock with clear midrange and moderate warmth. Di Rosolini favors organic, uncompressed sounds with a touch of amp breakup, and the production is dry and direct with minimal reverb, matching early 2000s indie/folk-rock conventions.