Miéntele — Los Bunkers1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Miéntele Solo Guitar Tone Settings — Los Bunkers

Los Bunkers · 2000s · rock

studio

Original Recording

Guitar
Gretsch 6120 DC Chet Atkins Nashville
Pickups
Gretsch Filter'Tron humbuckers
Amp
Vox AC-15 VR 1x12 Combo Amp
Pickup Position
Bridge pickup

Gear confirmed via Equipboard and video evidence for 'Miéntele' solo section. Studio recording, released 2005 (album 'Vida de Perros'). No evidence of alternate guitars or amps for this solo.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
3
Treble
6.5
Presence
5.5

Effects Chain

  • Boss DS-1 Distortion · distortion
  • Boss DD-3 Digital Delay · delay

Gretsch 6120 DC → Boss DS-1 Distortion → Boss DD-3 Digital Delay → Vox AC-15 VR (digital reverb on amp)

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • bright and articulate
  • crunchy yet smooth lead
  • moderate sustain
  • slight breakup on attack
  • open and airy
  • mid-forward presence
  • touch of digital delay
  • dynamic and expressive
  • not overly compressed
  • British amp chime

Notes & Caveats

  • ⚠️No specific amp knob settings for 'Miéntele' solo found; settings estimated based on typical Vox AC-15 VR use in modern rock context.
  • ⚠️Pedalboard evidence is from live and general use, but matches era and is visible in video for this song.
  • ⚠️No explicit pickup selector info; bridge pickup inferred from solo tone characteristics.
  • ⚠️No pedal knob settings found; only pedal models and likely usage inferred from genre and audio.
  • ⚠️No evidence of effects loop use or amp-based delay/reverb beyond what is typical for this amp.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone in 'Miéntele' by Los Bunkers is a classic rock crunch with a warm, mid-forward sound typical of British-voiced amps (like Vox or Marshall), moderate gain, and subtle ambience. The band favors clear, expressive leads with balanced EQ, and production from this era (mid-2000s Chilean alt-rock) often used moderate reverb and presence for clarity without harshness.

Sources