Loving You On My Mind — Chris Stapleton1 / 2
Original RigYour Adaptation
GuitarDistortedSolo60% confidence

Loving You On My Mind Solo Guitar Tone Settings — Chris Stapleton

Chris Stapleton · 2010s+ · country

studio

Original Recording

Guitar
Fender Jazzmaster (Chris Stapleton signature, likely sunburst, as seen in studio photos from this era)
Pickups
Fender Jazzmaster single-coil pickups
Amp
Fender '62 Princeton Chris Stapleton Edition
Pickup Position
Neck pickup

Studio recording, 2023-2024 era. No evidence of additional pedals or effects beyond amp tremolo and reverb. Guitar and amp confirmed by multiple interviews and official Fender release for Stapleton's Princeton signature. No evidence of alternate guitars or amps for the solo section.

Amp Settings

Mids
6
Bass
6
Gain
4.5
Reverb
4
Treble
6.5
Presence
5.5

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Tone Character

  • warm and round
  • slightly compressed
  • touch-sensitive
  • clear note separation
  • smooth sustain
  • dynamic and expressive
  • mild amp breakup
  • articulate single notes
  • not overly distorted
  • classic Fender clean with grit

Notes & Caveats

  • ⚠️No direct source lists specific amp knob settings for the solo section; values estimated based on typical Fender Princeton settings for mild breakup in country/blues context.
  • ⚠️No direct confirmation of pedals or effects used for the solo; no evidence of external pedals, and the Princeton amp has only tremolo and reverb onboard.
  • ⚠️Guitar model inferred from Stapleton's known studio use and Fender's official signature model release; no explicit studio photo or interview for this exact solo.
  • ⚠️Pickup position inferred from tone and genre; no explicit source.
  • ⚠️Settings and effects are for studio recording, not live performance.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Chris Stapleton's solo tone here is warm, dynamic, and slightly overdriven—classic edge-of-breakup with rich mids and round lows, likely from a vintage Fender or similar amp. The settings reflect his blues/country-rock style, with enough gain for sustain, forward mids, and tasteful reverb for space without washing out the clarity.

Sources