GuitarDistortedRiff80% confidence
Layla (Live at the Staples Center, Los Angeles, August 2001) Guitar Tone Settings
Eric Clapton · 2000s · rock
live
Original Recording
Guitar
Fender Eric Clapton Signature Stratocaster (Maple Neck, likely Blackie or similar 2001-era model)
Pickups
Fender Lace Sensor Gold single-coil pickups
Amp
Fender Custom Series '57 Bandmaster Tube Hand-Wired Guitar Combo Amplifier
Pickup Position
Bridge pickup
Live performance at Staples Center, Los Angeles, August 2001. Gear confirmed for this tour and video era. Clapton's main live amp was the '57 Bandmaster, not the studio Champ. Guitar is his EC Signature Strat with active mid-boost circuit. Settings estimated based on live rig and genre; no direct numeric settings found for this exact show.
Amp Settings
Mids7
Bass6.5
Gain4
Reverb3
Treble7
Presence6
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- bright and articulate
- crisp attack
- touch-sensitive
- edge-of-breakup crunch
- full-bodied mids
- tight and percussive
- slightly compressed
- dynamic response to picking
- clear single-coil definition
- classic blues-rock bite
Notes & Caveats
- No direct numeric amp settings found for this exact live performance; settings estimated based on typical Fender Bandmaster usage for blues-rock and MusicRadar's advice to boost mids and lows.
- Pedal/effects info for this specific riff section is not explicitly documented for this show; no evidence of wah, delay, chorus, or other effects in the riff section.
- Guitar model inferred from tour/era and video evidence; EC Signature Strat with Lace Sensor Gold pickups was Clapton's main live guitar in 2001.
- If alternate guitars/amps are found for this exact show, update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. Clapton's 2001 live 'Layla' tone is bluesy with edge-of-breakup drive, warm mids, and balanced highs, likely from a Strat into a clean-to-crunchy Fender or Soldano amp. The mix is present but not harsh, with moderate reverb for live ambience, matching his typical amp settings for this era and style.