GuitarDistortedSolo80% confidence
La Espada & La Pared (Revuelta en vivo) Guitar Tone Settings
Los Tres · 2020s · rock
live
Original Recording
Guitar
Gibson L7-C (likely 1949 model, archtop, P90 pickup)
Pickups
P90 single-coil (neck position likely used for solo)
Amp
Unknown (no explicit source for amp model on this recording; likely a clean tube amp typical for Los Tres live in this era, possibly Fender or similar)
Pickup Position
Neck pickup
Live performance (Revuelta en vivo), 2025. Guitar confirmed as Gibson L7-C archtop with P90. No explicit amp or pedalboard photo for this song/solo; settings estimated based on genre, era, and typical Los Tres live setups.
Amp Settings
Mids7
Bass6
Gain4.5
Reverb4
Treble6.5
Presence5.5
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Tone Character
- warm and rounded
- slightly gritty edge
- clear note separation
- mellow attack
- singing sustain
- articulate phrasing
- touch-sensitive
- dynamic response
- subtle breakup
- no heavy distortion
Notes & Caveats
- No explicit amp model or pedalboard for this specific live solo found in sources; amp and settings estimated based on typical Los Tres live setups and genre/era.
- No pedal or effect model confirmed for this solo; effects inferred from audio and genre conventions.
- Pickup position inferred from typical jazz/archtop solo tone and audio, not directly cited.
- Settings are estimated based on classic archtop into clean tube amp for live rock/jazz context.
- Settings cross-referenced with genre and era conventions for accuracy. Álvaro Henríquez typically uses a Fender amp (often Twin Reverb or similar) with a bluesy, edge-of-breakup tone for solos, especially live. The solo in 'La Espada & La Pared (Revuelta en vivo)' has a warm, mid-forward, slightly crunchy sound with moderate reverb and balanced highs, consistent with classic Chilean rock/blues settings.