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Jizz Da Pit — Slash's Snakepit1 / 2
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Jizz Da Pit Riff Guitar Tone Settings — Slash's Snakepit

Slash's Snakepit · 1990s · rock

studio

Original Recording

Guitar
Gibson Slash Signature 'Snakepit' Les Paul Standard
Pickups
Seymour Duncan Alnico II Pro humbuckers
Amp
Marshall JCM25/50 2555 Silver Jubilee 100W Head
Pickup Position
Bridge pickup

Studio recording for 'It's Five O'Clock Somewhere' (1995). Gear confirmed for Slash's Snakepit era and album, specifically used by Slash for riff sections. No evidence of live/touring substitutions for this track.

Amp Settings

Mids
7
Bass
6
Gain
7
Reverb
2
Treble
7
Presence
6

Effects Chain

  • MXR M104 Distortion+ · distortion
  • Boss GE-7 Graphic Equalizer · eq

Guitar → MXR Distortion+ → Boss GE-7 EQ → Marshall Silver Jubilee (with light spring reverb)

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Tone Character

  • aggressive and riff-driven
  • crunchy and full-bodied
  • thick, sustaining sound
  • tight and driving
  • British-voiced amp crunch
  • clear note definition under gain
  • dynamic pick attack
  • powerful rhythmic foundation
  • melodic yet punchy
  • classic rock gain structure

Notes & Caveats

  • ⚠️No direct numeric amp settings for 'Jizz Da Pit' found; settings estimated based on Marshall Silver Jubilee usage in 1990s rock context and typical Slash studio tones.
  • ⚠️Pedal usage for this specific riff section is inferred from era-correct pedalboard and audible tone; no direct studio documentation for this song.
  • ⚠️No evidence of modulation, delay, or wah in the riff section; only overdrive/distortion and EQ pedals are included.
  • ⚠️If more specific studio notes surface, settings may need revision.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Slash's Snakepit era tones are classic Les Paul into Marshall, with crunchy gain, forward mids, and balanced bass/treble for clarity and punch. The riff is aggressive but not overly saturated, with a dry, in-your-face mix typical of 90s hard rock production.

Sources