GuitarDistortedRiff80% confidence
I Was Made for Lovin' You Riff Guitar Tone Settings — Kiss
Kiss · 1970s · rock
studio
Original Recording
Guitar
1973 Gibson Les Paul Deluxe
Pickups
Stock mini-humbuckers
Amp
Marshall Superlead (likely 1959 model, early '70s spec)
Pickup Position
Bridge pickup
Studio recording, 1979. Ace Frehley played the main riff section. No evidence of pedals or effects used in the riff section; signal is Les Paul → Marshall Superlead. No effects loop. All evidence points to a straight guitar-to-amp setup for the main riff. No chorus, delay, or modulation audible in the riff section.
Amp Settings
Mids6.5
Bass6
Gain7
Reverb1
Treble7.5
Presence6.5
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- thick and crunchy
- tight and percussive
- midrange punch
- bright and articulate
- aggressive attack
- full-bodied power chords
- classic British rock crunch
- saturated but not high-gain
- minimal effects, pure amp drive
- cutting top end
Notes & Caveats
- No direct studio knob settings found; amp settings estimated based on typical Marshall Superlead usage for classic rock in late '70s and Ace Frehley's own statements.
- No evidence of pedals or effects used on the riff section; all sources and audio point to straight Les Paul into Marshall.
- Pickup choice inferred from tone and standard practice; bridge pickup is consistent with the bright, cutting sound.
- If alternate gear or effects are found in future primary sources, update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. The riff tone is classic late-70s hard rock: crunchy but not overly saturated, with Paul Stanley and Ace Frehley using Marshalls set for punchy mids, balanced bass, and clear but not harsh treble. The production is dry with just a hint of room reverb, matching the disco-rock crossover sound of the era.