TonesMatch
I'm Not Okay (I Promise) — My Chemical Romance1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

I'm Not Okay (I Promise) Guitar Tone Settings

My Chemical Romance · 2000s · rock

studio

Original Recording

Guitar
Epiphone Les Paul Standard
Pickups
Epiphone Alnico Classic humbuckers
Amp
Crate BV300HB Blue Voodoo Guitar Amp Head
Pickup Position
Bridge pickup

Studio recording, 2004. Gear confirmed for the album era and visible in music video and live footage from the time. No evidence of alternate guitars or amps for the solo section. No explicit pedalboard info for the solo section; pedal use inferred only if clearly audible.

Amp Settings

Mids
6.5
Bass
6
Gain
7.5
Reverb
2.5
Treble
7
Presence
6

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • singing sustain
  • tight and focused
  • aggressive attack
  • articulate single-note clarity
  • smooth, saturated distortion
  • cutting upper mids
  • controlled feedback
  • punchy pick attack
  • modern punk/emo lead sound

Notes & Caveats

  • ⚠️No explicit amp knob settings found in sources; values estimated based on typical Crate Blue Voodoo usage for 2000s pop-punk/emo lead tones.
  • ⚠️No direct evidence of pedal use for the solo section; no delay, chorus, or modulation effects are clearly audible in the solo, so none are included.
  • ⚠️Boss BF-2 Flanger is listed as used by Ray Toro on the album, but not clearly audible or confirmed for this solo section.
  • ⚠️Guitar and amp confirmed for the era and song, but pickup selection inferred from typical lead/solo usage and tone.
  • ⚠️Settings and effects are for the studio recording, not live performances.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Ray Toro's solo tone on 'I'm Not Okay (I Promise)' is saturated but articulate, with a tight low end, forward mids, and enough treble/presence to cut through the dense mix. The production era and genre favor a modern high-gain Marshall or Mesa sound with minimal reverb, matching MCR's typical amp settings and pop-punk/emo conventions.

Sources