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I'm Broken — Pantera1 / 2
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I'm Broken Solo Guitar Tone Settings — Pantera

Pantera · 1990s · metal

studio

Original Recording

Guitar
Washburn Dime 333 Dimebag Darrell Signature
Pickups
Bill Lawrence L-500XL (bridge humbucker)
Amp
Randall RG100ES Solid State Head
Pickup Position
Bridge pickup

Studio recording, 1994. Dimebag used the Washburn Dime 333 with Bill Lawrence L-500XL bridge pickup for the 'Far Beyond Driven' album. The Randall RG100ES was his main studio amp for this era. Effects included rack EQ and Whammy pedal for solos. No evidence of modulation or delay effects in the solo; wah is clearly audible.

Amp Settings

Mids
4
Bass
6
Gain
9.5
Reverb
0.5
Treble
8
Presence
7

Effects Chain

  • Dunlop DB-01 Dime Cry Baby From Hell · wah
  • DigiTech Whammy WH-1 · modulation
  • Furman PQ-3 Parametric EQ · eq

Guitar → Furman PQ-3 Parametric EQ → Dunlop DB-01 Wah → DigiTech Whammy WH-1 → Randall RG100ES (minimal spring reverb)

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Tone Character

  • tight and percussive
  • scooped mids
  • razor-sharp attack
  • aggressive palm muting
  • singing sustain
  • articulate harmonics
  • high output bridge pickup
  • wah sweep in solo
  • searing lead tone
  • crushing heaviness

Notes & Caveats

  • ⚠️Exact amp knob settings for the 'I'm Broken' solo are not documented in primary sources; settings are estimated based on forum consensus, genre, and era.
  • ⚠️No studio photos or interviews confirm pedal order for this specific solo; Whammy and wah are confirmed from era and audible in recording.
  • ⚠️Presence setting is estimated based on typical Randall RG100ES usage for Dimebag in the studio.
  • ⚠️No evidence of delay, chorus, or flanger in the solo section; only wah is clearly audible.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Dimebag Darrell used a Randall solid-state amp with extreme gain, tight bass, scooped mids, and biting treble/presence for a razor-sharp, aggressive tone typical of 90s groove metal. The solo section is dry with no audible reverb, maximizing attack and clarity.

Sources