I Believe in a Thing Called Love Guitar Tone Settings
The Darkness · 2000s · rock
studio
Original Recording
Studio recording, 2003. Most sources confirm Justin Hawkins used a Gibson Les Paul Custom into a Marshall Plexi 1959SLP for the Permission to Land album. Some sources mention Friedman and Wizard amps for later or live use, but Plexi is most cited for the album. No evidence of pedals for the solo except possible delay; Pro Co RAT is owned but not confirmed for this track. Delay is clearly audible in the solo, likely from a Boss DM-2 or similar analog delay pedal. No chorus, flanger, or wah audible in the solo. Pickup selector likely on bridge for the solo.
Amp Settings
Effects Chain
- Boss DM-2 Delay (black painted, as shown in rig rundown) · delay
Gibson Les Paul Custom → Boss DM-2 Delay → Marshall Plexi 1959SLP → Marshall 4x12 cab
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
7-day free trial · Cancel anytime.
Tone Character
- singing sustain
- tight, articulate lead lines
- harmonic-rich, saturated tone
- aggressive pick attack
- clear note separation
- classic British crunch
- cutting upper mids
- slight analog delay repeats
- punchy bridge pickup
- loud, in-your-face solo presence