Help On the Way / Slipknot! — Grateful Dead1 / 2
Original RigYour Adaptation
GuitarCleanSolo

Help On the Way / Slipknot! Guitar Tone Settings — Grateful Dead

Grateful Dead · 1970s · rock

studio

Original Recording

Guitar
1973 Doug Irwin 'Wolf' custom guitar
Pickups
DiMarzio Super II humbucker (bridge), DiMarzio SDS-1 single coil (middle), DiMarzio SDS-1 single coil (neck)
Amp
Fender Twin Reverb (Silverface, late 1960s/early 1970s)
Pickup Position
Middle pickup (DiMarzio SDS-1 single coil), sometimes blended with neck

Studio recording, 1975, Blues for Allah sessions. Jerry Garcia's 'Wolf' guitar was used for the studio recording, with the Fender Twin Reverb as the primary amp. No evidence of distortion or heavy gain for the clean solo section. Effects are based on period-correct gear and audible cues.

Amp Settings

Mids
6.5
Bass
6
Gain
0
Reverb
4
Treble
7
Presence
5.5

Effects Chain

  • Musitronics Mu-Tron III Envelope Filter · modulation

Guitar → Mu-Tron III Envelope Filter → Fender Twin Reverb (with spring reverb)

Tone Matcher

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Tone Character

  • crisp and glassy
  • articulate note separation
  • dynamic and touch-sensitive
  • bright but not harsh
  • percussive attack
  • funky envelope-filtered phrasing
  • studio-polished clean
  • complex chords ring clearly
  • modulation shimmer
  • no audible overdrive

Sources