Go To Hell, For Heavens Sake — Bring Me The Horizon1 / 2
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Go To Hell, For Heavens Sake Guitar Tone Settings

Bring Me The Horizon · 2010s+ · metal

studio

Original Recording

Guitar
Gibson Les Paul Custom (Lee Malia's main studio guitar for Sempiternal)
Pickups
Bare Knuckle Pickups Warpig Set (humbuckers)
Amp
Peavey 5150 120-Watt Head
Pickup Position
Bridge pickup

Studio recording for Sempiternal (2012-2013). Lee Malia used his Gibson Les Paul Custom with Bare Knuckle Warpig pickups into a Peavey 5150 head. Effects were added via pedals, not amp built-ins. No evidence of live rig or alternate guitars for this song's riff section.

Amp Settings

Mids
5
Bass
6
Gain
8.5
Reverb
1.5
Treble
6.5
Presence
6

Effects Chain

  • Boss NS-2 Noise Suppressor · noise_gate
  • JHS Bun Runner · fuzz
  • Blackstone Appliances MOSFET Overdrive · overdrive

Gibson Les Paul Custom (Bare Knuckle Warpig bridge pickup) → Boss NS-2 Noise Suppressor → Blackstone MOSFET Overdrive → Peavey 5150 Head (minimal digital reverb)

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Tone Character

  • tight and percussive
  • saturated high-gain
  • articulate low-string definition
  • crushing modern metal rhythm
  • focused low end
  • slightly scooped mids
  • aggressive pick attack
  • minimal ambience
  • clear note separation
  • punchy and modern

Notes & Caveats

  • ⚠️No direct amp knob settings for Peavey 5150 found for this specific song; settings estimated based on typical metalcore usage and Peavey 5150 characteristics.
  • ⚠️Pedalboard sources list all pedals used on Sempiternal, but do not specify which are engaged for this song/section; included only those effects that are clearly audible in the riff section.
  • ⚠️No evidence of modulation (chorus, flanger, phaser) in the riff section; only noise gate, boost/overdrive, and minimal reverb/delay are included.
  • ⚠️Pickup and amp confirmed for studio recording; live rig may differ.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Bring Me The Horizon's 'Sempiternal' era tones are modern metal: high gain, tight low end, and balanced mids for clarity. The riff is aggressive but not overly scooped, with enough presence and treble to cut through, and minimal reverb for a dry, punchy mix typical of 2010s metalcore production.

Sources