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Give Me All Your Love (Single Version) — Whitesnake1 / 2
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Give Me All Your Love (Single Version) Guitar Tone Settings

Whitesnake · 1980s · rock

studio

Original Recording

Guitar
Peavey Vandenberg (original signature model, 1987 production, Floyd Rose tremolo, alder body, maple neck, rosewood fretboard)
Pickups
DiMarzio humbucker (bridge, custom-wound for Vandenberg signature)
Amp
Mesa/Boogie Mark III Coliseum (No Stripe, modded, used in studio for 1987 album)
Pickup Position
Bridge pickup

Studio recording, 1987. Adrian Vandenberg played the main riff on the original Peavey Vandenberg signature guitar through a Mesa/Boogie Mark III Coliseum head. No evidence of live rig or alternate guitars for this section. No evidence of additional preamps or rack gear for the main riff.

Amp Settings

Mids
7
Bass
6
Gain
7.5
Reverb
2
Treble
7
Presence
6.5

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Tone Character

  • tight and percussive
  • aggressive midrange
  • articulate pick attack
  • slightly saturated crunch
  • dynamic and responsive
  • full-bodied
  • clear note separation
  • not overly compressed
  • harmonic clarity
  • 80s hard rock punch

Notes & Caveats

  • ⚠️No direct numeric amp settings for this exact song/section found; settings estimated based on typical Mesa/Boogie Mark III usage for 1987 Whitesnake rhythm tones and forum consensus.
  • ⚠️No direct evidence of pedals or effects used on the main riff; no chorus, delay, or reverb is clearly audible in the riff section.
  • ⚠️No evidence of alternate guitars or amps for the riff section; all sources point to Peavey Vandenberg and Mesa/Boogie Mark III.
  • ⚠️No evidence of effects loop or rack effects for the riff section; signal chain assumed to be guitar → amp.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The '87 Whitesnake riff tone is a classic 80s British hard rock sound: saturated but articulate, with forward mids, tight low end, and just enough treble/presence for cut. Sykes and Vandenberg used high-gain Marshalls with mids pushed and minimal reverb, matching the era's production and genre conventions.

Sources