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Free Bird (Undubbed) [Live] Guitar Tone Settings — Lynyrd Skynyrd
Lynyrd Skynyrd · 1970s · rock
live
Original Recording
Guitar
Gibson Firebird Vintage (Allen Collins, primary for riff section, live 1970s)
Pickups
Gibson mini-humbuckers
Amp
Marshall 1959T Super Tremolo head into 4x12 cabinet
Pickup Position
Bridge pickup
Live performance, 1970s era. Allen Collins played the main riff on a Gibson Firebird through a Marshall 1959T Super Tremolo head. No evidence of pedals in the riff section; amp provided all gain and reverb. Settings are based on period-correct Marshall use and direct source for Southern rock rhythm tone.
Amp Settings
Mids7
Bass6.5
Gain5
Reverb3
Treble6.5
Presence6
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Tone Character
- warm and punchy
- articulate chord work
- classic Southern rock crunch
- slightly gritty edge
- clear note separation
- dynamic response to picking
- full-bodied mids
- tight low end
- bright but not harsh highs
- minimal ambience
Notes & Caveats
- No direct pedal or effect evidence for the riff section; all sources and live videos indicate a straight guitar-to-amp setup.
- Amp settings are based on Guitar World Southern rock rhythm recommendations and typical Marshall 1959T use for this era.
- Presence setting is estimated based on common Marshall settings for classic rock.
- Pickup selector inferred from typical Firebird/Collins usage for riff clarity.
- No evidence of effects loop or additional pedals in the riff section; all effects from amp.
- If alternate guitars/amps are found for this specific live undubbed version, update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. Allen Collins and Gary Rossington in this era used Marshall Plexis or similar amps set for classic rock crunch—edge of breakup to light crunch, with strong mids and a warm, full low end. The live undubbed 'Free Bird' tone is mid-forward, not overly bright, and has subtle spring reverb, matching typical 70s Southern rock production.