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Firelight Riff Guitar Tone Settings — Young the Giant
Young the Giant · 2010s+ · rock
studio
Original Recording
Guitar
Gibson Firebird Studio Non-Reverse
Pickups
Mini-humbuckers (stock on Firebird Studio Non-Reverse)
Amp
Carr Mercury
Pickup Position
Neck pickup
Studio recording, 2013-2014 (Mind Over Matter album sessions). Gear confirmed for Eric Cannata, who played the main riff. No evidence of alternate guitars or amps for this section. No explicit pedalboard photo for this song, but pedalboard from this era is referenced in Premier Guitar and Equipboard.
Amp Settings
Mids6.5
Bass5.5
Gain3.5
Reverb3.5
Treble6.5
Presence5.5
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Tone Character
- warm and smooth
- rounded, mellow highs
- articulate note separation
- slightly compressed
- airy and atmospheric
- gentle attack
- subtle amp reverb
- no audible breakup
- clean, fingerpicked texture
- intimate, close-mic'd feel
Notes & Caveats
- No direct source for amp knob settings; estimated based on Carr Mercury typical settings for clean indie/alt rock tones and era.
- No explicit mention of pickup selector, but neck pickup is strongly suggested by the warm, rounded tone in the riff.
- No pedal or effect is clearly audible in the riff section; pedalboard info is from the same album era but not tied to this specific song/section.
- No evidence of effects loop or additional studio effects beyond subtle amp reverb.
- If further evidence emerges of pedal use or alternate amp/guitar, update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. The riff in 'Firelight' features a clear, dynamic, edge-of-breakup tone with forward mids and moderate treble, typical of Young the Giant's indie/alt-rock style and their use of Fender/VOX-style amps. The reverb is subtle, just enough for ambience, and the presence is set to add clarity without harshness.