Enter the Grave — Evile1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Enter the Grave Solo Guitar Tone Settings — Evile

Evile · 2000s · metal

studio

Original Recording

Guitar
Jackson KV2 King V USA
Pickups
Seymour Duncan humbuckers (likely JB/’59 set, as per typical Jackson KV2 spec for this era)
Amp
Randall T2 Head
Pickup Position
Bridge pickup

Studio recording, 2007. Gear confirmed for 'Enter the Grave' album era. No evidence of pedal use for the solo; Randall T2 provides high-gain tone. No evidence of live rig or alternate guitars for the solo section.

Amp Settings

Mids
4
Bass
6
Gain
8.5
Reverb
1
Treble
7.5
Presence
7

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Tone Character

  • sharp and biting
  • thick, saturated distortion
  • tight and percussive
  • articulate note separation
  • aggressive pick attack
  • scooped mids
  • singing sustain
  • minimal ambience
  • precise and chaotic lead lines
  • high clarity for fast passages

Notes & Caveats

  • ⚠️No explicit numeric amp settings found; settings estimated based on Randall T2 usage in 2000s thrash metal and typical genre/era conventions.
  • ⚠️No direct confirmation of pickup selector position, but bridge pickup is standard for metal solos of this style.
  • ⚠️No evidence of pedals or effects used in the solo section; Randall T2 provides all gain/distortion.
  • ⚠️No evidence of time-based or modulation effects (delay, chorus, flanger, etc.) in the solo; solo is dry and direct.
  • ⚠️No evidence of effects loop or studio post-processing on the solo guitar tone.
  • ⚠️Pickup model inferred from typical Jackson KV2 spec for this era; not directly cited for this exact recording.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Evile's 'Enter the Grave' solo section features a very saturated, tight, and aggressive modern thrash tone reminiscent of 80s Metallica, with scooped mids, tight bass, biting treble, and little to no reverb. The band typically used high-gain amps like Peavey 5150/6505 or Mesa/Boogie, dialed for clarity and attack, matching genre conventions.

Sources