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Endless, Nameless (Live at Pier 48, Seattle, WA, 12/13/93) — Nirvana1 / 2
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Endless, Nameless (Live at Pier 48, Seattle, WA, 12/13/93) Guitar Tone Settings

Nirvana · 1990s · punk

live

Original Recording

Guitar
Fender Mustang (early 70s, Competition Blue, stock pickups, right-handed, left-handed stringing)
Pickups
Stock Fender Mustang single-coil pickups
Amp
Mesa/Boogie Studio .22 Preamp into Crown Power Base 2 Power Amp (Live at Pier 48, 1993)
Pickup Position
Neck pickup

Live performance at MTV Live & Loud, Pier 48, Seattle, WA, December 13, 1993. No direct evidence of clean amp settings or effects for clean sections; gear inferred from era and live photos. No evidence of pedal use for clean tone.

Amp Settings

Mids
6
Bass
5.5
Gain
0
Reverb
1
Treble
7
Presence
6

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Tone Character

  • bright and raw
  • slightly scooped mids
  • clear single-coil articulation
  • uncompressed and dynamic
  • minimal reverb
  • percussive attack
  • open and unprocessed
  • lively upper mids
  • slightly gritty when strummed hard
  • no audible modulation or time-based effects

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No direct source provides specific amp or pedal settings for the clean section of 'Endless, Nameless' at Live at Pier 48.
  • ⚠️All settings are estimated based on typical Mesa/Boogie Studio .22 clean settings, genre, and era.
  • ⚠️No evidence of any pedal or amp-based effects (chorus, delay, flanger, etc.) used for the clean section.
  • ⚠️No evidence of effects loop usage or specific signal chain order for clean tone.
  • ⚠️Pickup choice inferred from typical clean tone practices and Mustang wiring.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Kurt Cobain's live 'Endless, Nameless' tone is extremely saturated, raw, and aggressive, reflecting maxed-out DS-1/DS-2 pedals into a cranked Marshall with moderate bass, forward mids, and biting treble. The live mix is dry with no audible reverb, and presence is boosted for clarity amidst the chaos.

Sources