TonesMatch
Encontro (feat. Roberto Diamanso) — Oficina G31 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Encontro (feat. Roberto Diamanso) Guitar Tone Settings

Oficina G3 · 1990s · rock

studio

Original Recording

Guitar
Charvel 475
Pickups
Jackson J200 single coils (neck/middle), Jackson J90C humbucker (bridge)
Amp
Unknown (not specified in sources, but likely a Marshall or similar high-gain amp typical of 1990s Brazilian rock/prog metal)
Pickup Position
Bridge pickup

Studio recording, 1996 album 'Indiferença'. No explicit amp or pedal info for this song/solo in sources. Guitar confirmed for album era. Settings and effects inferred from genre, era, and audible characteristics.

Amp Settings

Mids
6.5
Bass
6
Gain
6.5
Reverb
3.5
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay
  • Reverb pedal (model unknown) · reverb

Charvel 475 → Delay pedal → Reverb pedal → Amp

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Tone Character

  • singing sustain
  • smooth and melodic lead
  • moderate gain with clarity
  • articulate single-note lines
  • slight compression
  • warm upper mids
  • not overly saturated
  • clear note separation
  • touch-sensitive response
  • rounded attack

Notes & Caveats

  • ⚠️No explicit amp or pedal/effects info for this specific song/solo found in sources.
  • ⚠️Guitar model confirmed for album/era, but amp and effects inferred from genre, era, and audible tone.
  • ⚠️Settings estimated based on typical 1990s rock/prog metal tones and audible characteristics.
  • ⚠️No evidence of specific pedal models used; effects inferred from audio.
  • ⚠️If more detailed studio notes or interviews become available, update accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Juninho Afram's lead tone on 'Encontro' is classic mid-2000s Oficina G3: a smooth, singing overdrive with a balanced EQ and moderate reverb for space. The amp settings reflect a crunchy, expressive lead sound with forward mids, controlled bass, and enough presence for clarity, matching his typical Mesa/Boogie or Marshall-style setup for melodic solos.

Sources