GuitarDistortedSolo80% confidence
emergency contact pierce the veil Guitar Tone Settings
Unknown Artist · 2010s+ · rock
studio
Original Recording
Guitar
Gibson SG Standard
Pickups
Gibson humbuckers (stock SG Standard pickups, likely 490R/498T or similar)
Amp
Marshall JMP 1959 Super Lead 100-Watt Head
Pickup Position
Bridge pickup
Studio recording, 2022/2023 era, for the solo section of 'Emergency Contact' by Pierce the Veil. Gear inferred from Equipboard and typical studio practices for this album. No explicit confirmation for the solo section, but SG Standard and Marshall JMP are the most likely pairing for lead tones on this record.
Amp Settings
Mids6.5
Bass6
Gain7
Reverb3
Treble7
Presence6.5
Effects Chain
- JHS Muffuletta · fuzz
- EarthQuaker Devices Hoof V1 · fuzz
- Delay pedal (model unknown) · delay
- Boss NS-2 Noise Suppressor · noise_gate
Guitar → Boss NS-2 Noise Suppressor → JHS Muffuletta → EarthQuaker Devices Hoof V1 → Delay pedal (model unknown) → Marshall JMP 1959 Super Lead (spring reverb on amp)
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Tone Character
- singing sustain
- bright and articulate lead
- tight, focused attack
- warm midrange punch
- clear note separation
- slightly compressed
- modern post-hardcore edge
- fluid legato
- expressive vibrato
- cutting presence
Notes & Caveats
- No explicit source confirms the exact guitar, amp, or pedal settings for the solo section of 'Emergency Contact'; all gear and settings are inferred from Equipboard listings for the band and Tony Perry, as well as genre/era conventions.
- Pedal models are inferred based on typical Pierce the Veil setups and audible effects in the solo; no direct studio documentation for this specific song/solo.
- Amp settings are estimated based on Marshall JMP usage in modern post-hardcore/rock contexts.
- Pickup choice (bridge) is inferred from the solo's bright, cutting tone.
- If more specific studio documentation emerges, update this entry.
- Settings cross-referenced with genre and era conventions for accuracy. Pierce the Veil's 'Emergency Contact' solo features a saturated, modern high-gain lead tone with balanced mids and a slightly bright, present top end typical of Vic Fuentes' style. The bass is tight but not boomy, and reverb is subtle, matching post-2010s post-hardcore production conventions.