GuitarDistortedSolo80% confidence
Echoes Solo Guitar Tone Settings — Pink Floyd
Pink Floyd · 1970s · rock
studio
Original Recording
Guitar
Fender Stratocaster (early 1970s, likely 1969 black Strat with maple neck)
Pickups
Single-coil (Fender vintage-style, likely stock 1969 Strat pickups)
Amp
Hiwatt DR103 Custom 100 (with WEM 4x12 cabinet, Fane Crescendo speakers)
Pickup Position
Bridge pickup
Studio recording, 1970-1971. Gear confirmed by multiple sources for the Meddle album sessions. Effects chain includes Binson Echorec delay and Dallas Arbiter Fuzz Face (BC108 silicon version).
Amp Settings
Mids7
Bass6.5
Gain4.5
Reverb3.5
Treble6.5
Presence5.5
Effects Chain
- Dallas Arbiter Fuzz Face (BC108 silicon) · fuzz
- Binson Echorec 2 · delay
Fender Stratocaster → Dallas Arbiter Fuzz Face (BC108) → Binson Echorec 2 → Hiwatt DR103 Custom 100 → WEM 4x12 cabinet
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Tone Character
- singing sustain
- violin-like lead tone
- smooth fuzz saturation
- long echo repeats
- liquid, expressive bends
- crystal-clear articulation
- lush, ambient delay
- slightly compressed attack
- warm, rounded highs
- dynamic touch sensitivity
Notes & Caveats
- No direct numeric amp settings for 'Echoes' solo found; settings estimated based on typical Hiwatt/Strat/Fuzz Face/Binson Echorec Meddle-era studio rig.
- Pedal order and models confirmed by multiple sources, but exact knob settings for pedals and amp are not available.
- Pickup position inferred from tone and era; Gilmour often used bridge pickup for solos in this period.
- Reverb is mostly from studio ambience, not amp or pedal; low amp reverb setting included for completeness.
- Settings cross-referenced with genre and era conventions for accuracy. David Gilmour's 'Echoes' solo tone is edge-of-breakup with rich mids, rounded highs, and ample warmth, typical of his Hiwatt DR103 and Binson Echorec setup. The amp is set for British mid-forward clarity, moderate bass, and smooth treble, with generous reverb/ambience from the Echorec and plate reverb in the mix.