GuitarDistortedSolo80% confidence
Dying In Your Arms Solo Guitar Tone Settings — Trivium
Trivium · 2000s · metal
studio
Original Recording
Guitar
Epiphone Les Paul Custom (Matt Heafy signature, likely stock pickups for Ascendancy era)
Pickups
EMG 81/85 active humbuckers (stock for Heafy's Les Pauls during Ascendancy era, but not 100% confirmed for this exact track)
Amp
Peavey 5150/6505 head into Mesa/Boogie 4x12 cabinet with Celestion Vintage 30s
Pickup Position
Bridge pickup
Studio recording, 2004-2005 (Ascendancy album). Gear confirmed for album era and rhythm/lead tracking, but not every solo section is individually documented. No evidence of live rig or later signature models used on this recording.
Amp Settings
Mids5
Bass5.5
Gain8
Reverb1.5
Treble7
Presence6.5
Effects Chain
- Ibanez TS9 Tube Screamer · overdrive
- ISP Decimator · noise_gate
- Delay pedal (model unknown) · delay
- Eventide H3000 Harmonizer (or plugin emulation) · modulation
Epiphone Les Paul Custom → Ibanez TS9 Tube Screamer → ISP Decimator → Delay pedal (model unknown) → Eventide H3000 Harmonizer → Peavey 5150/6505 head → Mesa/Boogie 4x12 cab (with slight room reverb)
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Tone Character
- singing sustain
- tight and percussive
- high-gain saturation
- articulate lead lines
- clear note separation
- slight room ambience
- cutting upper mids
- smooth legato runs
- aggressive pick attack
Notes & Caveats
- No direct source lists exact amp knob settings for this solo; values estimated based on typical Peavey 5150/6505 metal settings and era.
- Guitar model and pickup type inferred from multiple interviews and era-specific gear, but not 100% confirmed for this exact solo.
- No explicit mention of pedal models for delay or harmonizer; delay and harmonizer are audible in the solo and are standard for Trivium leads of this era.
- No evidence of chorus, flanger, or wah in this solo section.
- Settings cross-referenced with genre and era conventions for accuracy. Trivium's 'Dying In Your Arms' solo features a saturated, modern metal lead tone with tight low end, slightly scooped but present mids, and enough treble/presence for clarity. Their typical gear (Peavey 5150/6505 era) and genre conventions point to high gain, moderate bass, and restrained reverb for articulation.