GuitarDistortedRiff
Don't Stop Believin' Riff Guitar Tone Settings — Journey
Journey · 1980s · rock
studio
Original Recording
Guitar
Gibson Les Paul Custom (late 1970s, black, with DiMarzio Super Distortion bridge pickup)
Pickups
DiMarzio Super Distortion (bridge humbucker)
Amp
Marshall JMP 2203 100-watt head into Marshall 4x12 cabinet (studio recording, 1981)
Pickup Position
Bridge pickup
Studio recording, 1981. Neal Schon used his black Les Paul Custom with a DiMarzio Super Distortion in the bridge for the main riff. Amp was a Marshall JMP 2203 head into a Marshall 4x12. No evidence of other guitars or amps for the riff section. Effects are minimal; most of the tone is guitar-amp. Volume pedal used for fade-in at intro.
Amp Settings
Mids7
Bass6
Gain6.5
Reverb3.5
Treble6.5
Presence6
Effects Chain
- Volume pedal (model unknown) · other
Guitar → Volume pedal → Marshall JMP 2203 (with spring reverb) → Marshall 4x12 cabinet
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Tone Character
- tight and punchy
- bright and articulate
- clear note separation
- slight edge of breakup
- medium sustain
- bridge pickup bite
- classic Marshall crunch
- not overly saturated
- present mids
- controlled low end