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Dig a Pony — The Beatles1 / 2
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Dig a Pony Riff Guitar Tone Settings — The Beatles

The Beatles · 1960s · rock

studio

Original Recording

Guitar
Epiphone Casino (1965, sunburst, stock P-90s)
Pickups
Epiphone P-90 single coils
Amp
Fender Twin Reverb (silverface, late 1960s, studio recording)
Pickup Position
Bridge pickup

Studio recording, 1969 (Let It Be sessions). John Lennon played the main riff on his Epiphone Casino through a Fender Twin Reverb. No evidence of pedals or outboard effects for the riff section. This is the studio version, not the rooftop live performance.

Amp Settings

Mids
7
Bass
6
Gain
4.5
Reverb
2.5
Treble
6.5
Presence
5.5

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Tone Character

  • raw and biting
  • slightly gritty edge-of-breakup
  • clear, punchy midrange
  • open and jangly top end
  • dynamic and touch-sensitive
  • percussive attack
  • minimal sustain
  • quick decay
  • no audible effects
  • classic late-60s British rock

Notes & Caveats

  • ⚠️No direct source gives exact amp knob settings for the studio recording; settings estimated based on typical Beatles Let It Be session gear and era.
  • ⚠️No evidence of pedals or effects used on the riff section; all effects fields left empty except for mild amp reverb.
  • ⚠️Pickup choice inferred from tone and known Lennon Casino usage; some sources suggest neck pickup for other Beatles songs, but the biting tone here is consistent with the bridge.
  • ⚠️Settings are not from a primary source but inferred from genre, era, and typical Beatles studio practices.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'Dig a Pony' riff features a classic late-60s British rock tone: edge-of-breakup gain, forward mids, and moderate bass/treble, likely from a cranked Vox or Fender amp. The tone is warm but clear, with little reverb and no scooping, matching Lennon’s typical amp settings and Abbey Road production of the era.

Sources