Cooking Up Something Good — Mac DeMarco1 / 2
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Cooking Up Something Good Riff Guitar Tone Settings — Mac DeMarco

Mac DeMarco · 2010s+ · rock

studio

Original Recording

Guitar
Fender Squier Stratocaster (likely Japanese-made, early 2000s, as used by Mac DeMarco on '2')
Pickups
Stock Squier Stratocaster single-coil pickups
Amp
Roland JC-120 Jazz Chorus
Pickup Position
Neck pickup

Studio recording, 2012. Gear confirmed for '2' era by multiple sources. Chorus effect is a hallmark of the JC-120 and/or pedal. No evidence of alternate guitars or amps for this riff section.

Amp Settings

Mids
6
Bass
6
Gain
0
Reverb
2.5
Treble
6.5
Presence
5

Effects Chain

  • Boss CE-2 Chorus (or Ibanez SC-10 Super Stereo Chorus) · chorus

Fender Squier Stratocaster → Boss CE-2 Chorus (or Ibanez SC-10) → Roland JC-120 (chorus and spring reverb on)

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Tone Character

  • clean and shimmering
  • wobbly chorus modulation
  • bright and glassy highs
  • rounded, warm lows
  • articulate single notes
  • slightly compressed attack
  • subtle tape saturation
  • no audible distortion
  • tight, percussive rhythm
  • dreamy, lo-fi texture

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No official studio session notes with exact amp knob settings; amp and pedal choices inferred from multiple gear rundowns and interviews.
  • ⚠️Chorus effect is confirmed as central to the riff, but sources differ on whether it is from the Roland JC-120's built-in chorus or a pedal (Boss CE-2 or Ibanez SC-10); both are plausible for this era.
  • ⚠️Exact pickup position not explicitly stated, but neck pickup is most consistent with the tone and Mac's typical usage.
  • ⚠️Settings are estimated based on typical JC-120 clean/chorus tones and genre/era conventions.
  • ⚠️No evidence of additional pedals (delay, reverb, drive) in the riff section; chorus is the only audible effect.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Mac DeMarco's 'Cooking Up Something Good' riff features a clean, slightly gritty tone typical of his early 2010s indie sound, likely using a solid-state amp (e.g., Roland JC-120) or a Fender with mild breakup. The tone is warm and mid-forward with moderate bass, balanced treble, and subtle spring reverb, matching his known amp settings and production style.

Sources