Concerto -Tanbinarukettou- — JVM Roses Blood Symphony1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Concerto -Tanbinarukettou- Guitar Tone Settings

JVM Roses Blood Symphony · 2010s+ · metal

studio

Original Recording

Guitar
Schecter Jake Pitts C-1FR signature model
Pickups
EMG 81/85 active humbuckers
Amp
Marshall JVM410H head with Marshall 4x12 cabinet (Celestion Vintage 30s)
Pickup Position
Bridge pickup

Studio recording, likely 2010s era; no pedals reported for riff section; amp and guitar confirmed for heavy rhythm tracking. No evidence of live-specific or alternate gear for this section.

Amp Settings

Mids
5.5
Bass
6
Gain
8
Reverb
1.5
Treble
7
Presence
6.5

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Tone Character

  • tight and percussive
  • saturated and modern
  • articulate pick attack
  • aggressive low end
  • cutting upper mids
  • compressed sustain
  • focused and controlled feedback
  • quadruple-tracked thickness
  • clear note separation
  • minimal ambience

Notes & Caveats

  • ⚠️No specific numeric amp settings found in sources; values estimated based on Marshall JVM410H typical metal usage and genre/era.
  • ⚠️No pedals or effects explicitly listed for this song/section; sources state 'no effects' for rhythm/riff sections.
  • ⚠️Pickup model inferred from artist's signature guitar specs for this era.
  • ⚠️No evidence of time-based or modulation effects in riff section; settings and effects are for studio rhythm/riff, not solo or clean parts.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff section features a saturated, articulate high-gain tone typical of modern Japanese symphonic/power metal, with tight low end, balanced mids, and slightly boosted treble/presence for clarity. Reverb is minimal for a precise, aggressive attack, matching JVM Roses Blood Symphony's production style and genre conventions.

Sources