GuitarDistortedSolo60% confidence
Comfortably Numb (Live) Solo Guitar Tone Settings — Pink Floyd
Pink Floyd · 1970s · rock
live
Original Recording
Guitar
1969 Fender Stratocaster (Black, maple neck, custom electronics)
Pickups
DiMarzio FS-1 single coil (bridge), custom switching for bridge+neck combo
Amp
Hiwatt DR103 100-watt head (custom linked channels) into WEM Super Starfinder 200 4x12 with Fane Crescendo 12A speakers; Yamaha RA-200 rotary speaker (parallel to Hiwatt); Alembic F-2B preamp
Pickup Position
Bridge + Neck (custom switch engaged for solo)
Live performance, late 1970s/early 1980s era (The Wall tour); settings and gear confirmed for live solo section; Yamaha RA-200 rotary speaker used for modulation; Big Muff Pi and MXR Dyna Comp in front of amp; Alembic F-2B preamp in signal chain.
Amp Settings
Mids5.5
Bass6.5
Gain6.5
Reverb3
Treble5.5
Presence6.5
Effects Chain
- MXR Dyna Comp · compression
- Electro-Harmonix Big Muff Pi (c. 1974) · fuzz
- Delay pedal (model unknown) · delay
Guitar → MXR Dyna Comp → Big Muff Pi → Alembic F-2B preamp → Hiwatt DR103 → (parallel) Yamaha RA-200 rotary speaker → WEM 4x12 cab; delay pedal after fuzz, before amp
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Tone Character
- singing sustain
- smooth and saturated
- throaty midrange
- rich harmonic overtones
- subtle modulation
- wide stereo image
- creamy fuzz texture
- clear note separation
- touch-sensitive response
- lush, ambient delay repeats
Notes & Caveats
- Amp settings are from Guitar World (source 1), which references Gilmour's live rig for Comfortably Numb; settings are on a 0-10 scale.
- Pedal settings for Big Muff and Dyna Comp are from Guitar World and forum sources; delay and rotary speaker are audible but exact models/settings are partially inferred.
- No explicit mention of reverb level; estimated as low (2/10) based on live Hiwatt usage and typical Gilmour settings.
- Pickup selection (bridge+neck) confirmed by Guitar World for solo section; not standard Strat wiring, but custom switch.
- Delay is clearly audible in the solo but pedal model is not specified in sources; included as 'Delay pedal (model unknown)'.
- Rotary speaker effect is from Yamaha RA-200, not a pedal; included as modulation effect.
- Settings cross-referenced with genre and era conventions for accuracy. Gilmour's 'Comfortably Numb' live solo tone is creamy and sustaining with moderate gain, strong mids, and a full low end, achieved with Hiwatt amps, Big Muff, and delay/reverb. The amp settings reflect his preference for mid-forward, present, and spatially rich tones typical of his late 70s/80s live sound.