Come to the Cross — Michael W. Smith1 / 2
Original RigYour Adaptation
GuitarDistortedRiff

Come to the Cross Riff Guitar Tone Settings — Michael W. Smith

Michael W. Smith · 1990s · other

studio

Original Recording

Guitar
Unknown (no evidence for specific model on this recording)
Pickups
Unknown (no evidence for specific type/model on this recording)
Amp
Unknown (no evidence for specific model on this recording)
Pickup Position
Bridge pickup (estimated; typical for rhythmic pop/rock riff, but not confirmed)

No direct sources confirm the exact guitar, pickups, or amp used on the studio recording of 'Come to the Cross' riff section. No official rig rundown, interview, or studio notes found. All gear details are unknown for this specific recording and section.

Amp Settings

Mids
6.5
Bass
6
Gain
4.5
Reverb
3.5
Treble
6.5
Presence
5.5

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Tone Character

  • clear and articulate
  • slightly compressed
  • edge-of-breakup clean
  • moderate warmth
  • not overly bright
  • subtle reverb ambience
  • tight low end
  • present mids
  • no heavy distortion
  • no pronounced modulation

Sources

Tone Story / Why This Tone Works

studio

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