GuitarCleanSolo80% confidence
Broken Window Serenade Solo Guitar Tone Settings — Whiskey Myers
Whiskey Myers · 2010s+ · rock
studio
Original Recording
Guitar
Gibson Les Paul Standard
Pickups
Gibson humbuckers (likely Burstbucker or 490R/498T, stock Les Paul pickups for era)
Amp
Orange TH30 (studio recording, likely clean channel for clean solo section)
Pickup Position
Neck pickup
Studio recording, 2011 (from 'Firewater' album). Gear inferred from band interviews and Equipboard; no direct studio documentation for this specific song section. Focused on clean solo section, not live rig.
Amp Settings
Mids6.5
Bass6.5
Gain3
Reverb4
Treble6.5
Presence5.5
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- warm and rounded
- smooth neck pickup character
- articulate and dynamic
- slightly compressed
- clean with subtle breakup
- mild reverb for space
- not harsh or brittle
- full-bodied mids
- clear note separation
- touch-sensitive
Notes & Caveats
- No direct source specifies exact gear or settings for the clean solo section of 'Broken Window Serenade'; all gear and settings are inferred from band gear rundowns and typical studio practices for the era and genre.
- No explicit pedal or effect model is confirmed for this song's studio recording; pedal/effect info is based on what is audible and typical for the band.
- Pickup choice (neck) is inferred from the warm, rounded tone of the solo; not directly cited.
- Amp model (Orange TH30) is cited as a core part of the band's sound but not explicitly tied to this song's studio session.
- Settings are estimated based on typical Orange TH30 clean channel use for Southern rock/country clean tones.
- Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Broken Window Serenade' features a warm, bluesy edge-of-breakup tone with pronounced mids and bass, typical of Whiskey Myers' southern rock style and likely Fender/Marshall-style amps. The reverb is present but not overwhelming, and the overall EQ avoids harshness while keeping the guitar forward in the mix.