GuitarDistortedRiff80% confidence
Bring It On Home Riff Guitar Tone Settings — Led Zeppelin
Led Zeppelin · 1970s · rock
studio
Original Recording
Guitar
1960s Fender Telecaster
Pickups
Single-coil (Fender Telecaster stock pickups, 1960s)
Amp
Supro Thunderbolt combo (modified, likely 1961-1964 model)
Pickup Position
Bridge pickup
Studio recording, 1969. Jimmy Page is widely reported to have used a Telecaster and a Supro Thunderbolt combo for the riff section of 'Bring It On Home' on Led Zeppelin II. The fuzz tone is achieved with a Tone Bender MKII pedal. No evidence of additional effects or amp reverb on the riff section. Live gear may differ.
Amp Settings
Mids7
Bass6.5
Gain6
Reverb0
Treble6.5
Presence6
Effects Chain
- Sola Sound Tone Bender MKII · fuzz
Telecaster → Tone Bender MKII → Supro Thunderbolt combo
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Tone Character
- heavy, biting fuzz
- midrange-forward crunch
- tight, punchy low end
- raw and aggressive
- dynamic and touch-sensitive
- slightly nasal upper mids
- British-voiced amp character
- not overly compressed
- fuzzy, saturated attack
- classic blues-rock edge
Notes & Caveats
- No direct numeric amp settings for 'Bring It On Home' found in sources; settings estimated based on typical Supro Thunderbolt usage for classic rock and Jimmy Page's era.
- Guitar and pedal choice confirmed by multiple sources, but no studio photos or session notes for this exact song.
- No evidence of reverb, delay, or modulation effects on the riff section; only fuzz is clearly audible.
- Pickup position inferred from typical Page usage and tone analysis; not explicitly confirmed in sources.
- Settings cross-referenced with genre and era conventions for accuracy. Jimmy Page's riff tone on 'Bring It On Home' is classic late-60s British crunch: edge-of-breakup to light crunch, strong mids, and a warm but punchy EQ. Likely a cranked Marshall Super Bass or Super Lead with little to no reverb, matching the dry, direct sound of the recording and the era's production style.