Bring It On Home — Led Zeppelin1 / 2
Original RigYour Adaptation
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Bring It On Home Riff Guitar Tone Settings — Led Zeppelin

Led Zeppelin · 1970s · rock

studio

Original Recording

Guitar
1960s Fender Telecaster
Pickups
Single-coil (Fender Telecaster stock pickups, 1960s)
Amp
Supro Thunderbolt combo (modified, likely 1961-1964 model)
Pickup Position
Bridge pickup

Studio recording, 1969. Jimmy Page is widely reported to have used a Telecaster and a Supro Thunderbolt combo for the riff section of 'Bring It On Home' on Led Zeppelin II. The fuzz tone is achieved with a Tone Bender MKII pedal. No evidence of additional effects or amp reverb on the riff section. Live gear may differ.

Amp Settings

Mids
7
Bass
6.5
Gain
6
Reverb
0
Treble
6.5
Presence
6

Effects Chain

  • Sola Sound Tone Bender MKII · fuzz

Telecaster → Tone Bender MKII → Supro Thunderbolt combo

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Tone Character

  • heavy, biting fuzz
  • midrange-forward crunch
  • tight, punchy low end
  • raw and aggressive
  • dynamic and touch-sensitive
  • slightly nasal upper mids
  • British-voiced amp character
  • not overly compressed
  • fuzzy, saturated attack
  • classic blues-rock edge

Notes & Caveats

  • ⚠️No direct numeric amp settings for 'Bring It On Home' found in sources; settings estimated based on typical Supro Thunderbolt usage for classic rock and Jimmy Page's era.
  • ⚠️Guitar and pedal choice confirmed by multiple sources, but no studio photos or session notes for this exact song.
  • ⚠️No evidence of reverb, delay, or modulation effects on the riff section; only fuzz is clearly audible.
  • ⚠️Pickup position inferred from typical Page usage and tone analysis; not explicitly confirmed in sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Jimmy Page's riff tone on 'Bring It On Home' is classic late-60s British crunch: edge-of-breakup to light crunch, strong mids, and a warm but punchy EQ. Likely a cranked Marshall Super Bass or Super Lead with little to no reverb, matching the dry, direct sound of the recording and the era's production style.

Sources