GuitarDistortedRiff80% confidence
Betrayed Riff Guitar Tone Settings — Avenged Sevenfold
Avenged Sevenfold · 2000s · metal
studio
Original Recording
Guitar
Schecter Synyster Gates Custom
Pickups
Seymour Duncan Invader humbuckers
Amp
Bogner Uberschall 120-Watt Tube Guitar Amp Head
Pickup Position
Bridge pickup
Studio recording, 2007 (Avenged Sevenfold self-titled album). Gear confirmed for this album/era via Equipboard and Ultimate Guitar. No evidence of live rig or alternate guitars for this specific song/section.
Amp Settings
Mids6.5
Bass6
Gain8.5
Reverb1.5
Treble7
Presence6.5
Effects Chain
- Ibanez TS9 Tube Screamer (or similar overdrive, model not confirmed) · overdrive
- Noise gate (model unknown) · noise_gate
Guitar → Overdrive (Tube Screamer or similar) → Noise Gate → Bogner Uberschall Amp (minimal spring reverb)
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Tone Character
- tight and percussive
- aggressive palm muting
- high-gain saturation
- pronounced mid-range
- articulate attack
- warm but cutting
- modern metal clarity
- minimal ambience
- saturated rhythm
- focused low end
Notes & Caveats
- No direct numeric amp settings for 'Betrayed' found; settings estimated based on Synyster Gates' signature amp recommendations and typical Bogner Uberschall usage for this era.
- No explicit pedal or effect model confirmed for this specific recording; pedal use inferred from genre, era, and typical Synyster Gates setups.
- No evidence of time-based or modulation effects (delay, chorus, flanger, etc.) in the riff section; only high-gain rhythm tone is present.
- Pickup position inferred from typical metal rhythm practice and tone characteristics.
- Settings cross-referenced with genre and era conventions for accuracy. Avenged Sevenfold's 'Betrayed' features a tight, modern metal tone with saturated high gain, controlled bass for clarity, mids set at a balanced level (not scooped), and pronounced but not harsh treble/presence. Minimal reverb is used for a dry, punchy mix typical of mid-2000s metalcore/modern metal production.