Beast of Burden — The Rolling Stones1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Beast of Burden Riff Guitar Tone Settings — The Rolling Stones

The Rolling Stones · 1970s · rock

studio

Original Recording

Guitar
Fender Telecaster Custom (Keith Richards, likely 1975 black maple-neck model)
Pickups
Neck: Wide Range Humbucker, Bridge: Single-coil Telecaster
Amp
Fender Twin Reverb (Silverface, late 1970s studio version)
Pickup Position
Neck pickup (Wide Range Humbucker) or middle position (neck + bridge); likely neck for main riff

Studio recording, 1978 (Some Girls album). Gear inferred from era, photos, and interviews; no direct studio documentation found for this specific track. No evidence of pedals used on the riff section, consistent with Keith Richards' minimal effects approach in this era.

Amp Settings

Mids
7
Bass
6
Gain
3.5
Reverb
3
Treble
6.5
Presence
5.5

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Tone Character

  • clean but slightly gritty
  • articulate and percussive
  • chimey top end
  • warm midrange
  • open and airy
  • dynamic and touch-sensitive
  • tight, focused lows
  • minimal compression
  • classic Fender sparkle
  • no audible pedal coloration

Notes & Caveats

  • ⚠️No direct studio documentation or official rig rundown for this specific song section; guitar and amp inferred from era, photos, and interviews.
  • ⚠️No numeric amp settings found in sources; settings estimated based on typical Fender Twin Reverb use in classic rock context.
  • ⚠️No evidence of pedals or modulation effects on the riff section; Keith Richards is known for minimal effects in the studio.
  • ⚠️Pickup position inferred from tone and era; some live versions use different guitars/tunings.
  • ⚠️If new evidence emerges of pedal or amp effect use on the studio recording, update accordingly.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Keith Richards' 'Beast of Burden' riff tone is classic late-70s Stones: edge-of-breakup with rich mids, moderate bass, and clear but not harsh treble. Likely a Telecaster into a Fender Twin or similar amp, with subtle reverb and no excessive gain, giving a chimey, touch-sensitive, British-leaning rock sound.

Sources