Back to the Old House — The Smiths1 / 2
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Back to the Old House Riff Guitar Tone Settings — The Smiths

The Smiths · 1980s · rock

studio

Original Recording

Guitar
Rickenbacker 330 6-string
Pickups
Rickenbacker single coil (Hi-Gain)
Amp
Roland JC-120 Jazz Chorus
Pickup Position
Neck pickup

Studio recording, 1983-1984. Johnny Marr is confirmed to have used a Rickenbacker 330 and a Roland JC-120 for clean, chorus-rich tones on early Smiths recordings. No evidence of pedals for this track; chorus effect is from the amp. No evidence of acoustic guitar on the original studio version riff section.

Amp Settings

Mids
6.5
Bass
5
Gain
0
Reverb
3
Treble
7
Presence
5

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Tone Character

  • chiming and clean
  • lush chorus shimmer
  • bright and articulate
  • warm, ringing harmonics
  • dynamic and expressive
  • clear note separation
  • slight amp reverb for depth
  • no audible distortion
  • sensitive to picking dynamics

Notes & Caveats

  • ⚠️Gain adjusted to 0 for clean tone
  • ⚠️No direct numeric amp settings found for this specific song; amp settings estimated based on typical Roland JC-120 usage for clean chorus tones in 1980s rock.
  • ⚠️No evidence of pedals used on the original studio riff section; chorus effect is from the amp.
  • ⚠️Some sources mention Rickenbacker 360/12 and Gretsch, but for this track, the 330 6-string is most likely based on interviews and gear lists for early Smiths recordings.
  • ⚠️No evidence of acoustic guitar on the original studio version riff section; live versions may differ.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Johnny Marr's tone on 'Back to the Old House' is extremely clean, bright, and articulate, reflecting his typical use of a Fender amp (likely a Twin Reverb or Deluxe Reverb) with single-coil pickups. The mids are pushed for British jangle, bass is kept tight for clarity, and subtle reverb adds space without washing out the fingerpicked details.

Sources