Apocalipsis Confort (En Vivo) — Airbag1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Apocalipsis Confort (En Vivo) Solo Guitar Tone Settings — Airbag

Airbag · 2010s+ · rock

live

Original Recording

Guitar
Gibson Les Paul Standard (likely, based on live era and band member's typical gear)
Pickups
Humbucker (likely Gibson Burstbucker or similar, as used by Patricio Sardelli in this era)
Amp
Marshall tube amp (exact model unknown, likely JCM800 or DSL series, as used by Airbag live in 2021-2023)
Pickup Position
Bridge pickup

Live performance, 2021-2023 era, from 'En Vivo Estadio Vélez' concert. No explicit confirmation of exact amp or pedal models for this song/solo; inference based on band’s live gear and genre.

Amp Settings

Mids
7
Bass
6.5
Gain
7
Reverb
3
Treble
7
Presence
6.5

Effects Chain

  • Delay pedal (model unknown) · delay
  • Overdrive/Distortion pedal (model unknown) · distortion

Guitar → Overdrive/Distortion pedal → Delay pedal → Marshall tube amp (with spring reverb)

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Tone Character

  • singing sustain
  • fluid legato lines
  • powerful lead presence
  • tight low end
  • crisp attack
  • harmonic overtones
  • cutting through mix
  • modern rock solo tone
  • rich midrange
  • dynamic pick response

Notes & Caveats

  • ⚠️No explicit source confirms the exact guitar, amp, or pedal models/settings for this specific solo; all gear and settings are inferred based on Airbag's typical live setup, genre, and era.
  • ⚠️No numeric amp or pedal settings found in sources; settings estimated based on Marshall amp norms for modern rock solos.
  • ⚠️No pedalboard or effect chain photos for this exact performance; effects inferred from genre and audible characteristics.
  • ⚠️If more specific rig rundown or live footage with pedalboard closeups becomes available, update this data.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Airbag's live solo tone here is a classic hard rock/modern blues-rock sound: saturated but articulate, with forward mids, balanced bass, and enough treble/presence for cut without harshness. The reverb is subtle, typical for a live rock mix, and these settings reflect both the genre and the band's usual amp approach.

Sources