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Another Brick In the Wall, Pt. 1 Guitar Tone Settings
Pink Floyd · 1970s · rock
studio
Original Recording
Guitar
Fender Stratocaster (1970s, black, maple neck, likely with stock single-coil pickups)
Pickups
Fender single-coil (stock 1970s Stratocaster)
Amp
Hiwatt DR103 Custom 100 (studio), with Yamaha RA-200 rotary speaker for modulation/ambience
Pickup Position
Position 4 (neck + middle)
Studio recording, 1979. The riff section is rhythm guitar, not the solo. Gilmour used his black Stratocaster into a Hiwatt DR103 head, often with a Yamaha rotary speaker for subtle modulation. No evidence of fuzz, overdrive, or heavy effects on the riff section. No pedalboard effects confirmed for this part.
Amp Settings
Mids7
Bass6.5
Gain0
Reverb2.5
Treble6.5
Presence5.5
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Tone Character
- clean and glassy
- bright and articulate
- tight, percussive attack
- slightly compressed
- subtle modulation (rotary/chorus-like)
- distinct Stratocaster quack
- minimal reverb
- studio clarity
- funky, rhythmic feel
- not harsh or brittle
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No direct source gives exact amp knob settings for the riff section; values estimated based on typical Hiwatt/Strat clean settings for late 1970s Pink Floyd.
- No pedal or effect is confirmed for the riff section; all evidence points to clean amp with possible Yamaha rotary speaker for subtle modulation.
- Most sources focus on the solo (Pt. 2) or general Gilmour rig, not specifically the Pt. 1 riff.
- If a subtle chorus/rotary effect is audible, it is likely from the Yamaha RA-200, not a pedal.
- Settings cross-referenced with genre and era conventions for accuracy. David Gilmour's tone on 'Another Brick In the Wall, Pt. 1' is clean but warm, with a touch of breakup and prominent mids typical of his Hiwatt/Fender setup of the late '70s. The sound is mid-forward, not overly bright, with moderate bass and subtle reverb from studio plate or amp spring, matching the atmospheric, slightly compressed production.