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All That's Left — Thrice1 / 2
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All That's Left Riff Guitar Tone Settings — Thrice

Thrice · 2000s · rock

studio

Original Recording

Guitar
Gibson Les Paul Standard (likely 1990s/early 2000s, as seen in video and era-appropriate interviews)
Pickups
Gibson humbuckers (stock Les Paul Standard pickups, likely 490R/498T or Burstbuckers)
Amp
Marshall JMP (1970s, likely 2203 or 2204, as referenced in interviews and era-typical for heavy riffing)
Pickup Position
Bridge pickup

Studio recording, 2003. Gear confirmed by video evidence and era interviews. Riff section uses Les Paul into Marshall JMP, no Helix or modern digital gear. No evidence of live rig or modern pedalboard for this recording.

Amp Settings

Mids
6
Bass
6
Gain
7.5
Reverb
1.5
Treble
7
Presence
6.5

Effects Chain

  • Overdrive pedal (likely Boss SD-1 or similar, but not confirmed) · overdrive

Guitar → Overdrive pedal (likely SD-1 or similar) → Marshall JMP (spring reverb low)

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Tone Character

  • tight and percussive
  • chunky palm-muted power chords
  • focused midrange punch
  • articulate pick attack
  • saturated distortion
  • slight top-end sizzle
  • controlled low-end
  • minimal ambience
  • classic Marshall crunch
  • modern aggressive edge

Notes & Caveats

  • ⚠️No direct amp knob settings found for this exact song; settings estimated based on Marshall JMP typical usage for heavy modern rock in early 2000s.
  • ⚠️Guitar and amp confirmed by video and forum consensus, but no official studio documentation available.
  • ⚠️No pedalboard or effects evidence for the riff section; all effects inferred by ear and genre norms.
  • ⚠️If alternate gear (e.g., Telecaster, Vox AC30) is mentioned in other eras/interviews, it does NOT apply to this recording.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Thrice's 'All That's Left' riff features a saturated, modern post-hardcore tone with tight low end, forward but not scooped mids, and clear, cutting highs. Teppei and Dustin typically used Mesa/Boogie Dual Rectifiers with moderate bass, balanced mids, and slightly boosted treble/presence for clarity, with minimal reverb for a dry, punchy mix.

Sources