GuitarCleanRiff75% confidence
All That's Left Riff Guitar Tone Settings — Thrice
Thrice · 2000s · rock
studio
Original Recording
Guitar
Gibson SG Standard (likely 2000s, as seen in official video and era-correct interviews)
Pickups
Gibson stock humbuckers (Alnico, likely 490R/498T set)
Amp
Marshall JMP (1970s, studio recording, as confirmed by Guitar World and MusicRadar interviews)
Pickup Position
Neck pickup
Studio recording, 2003. Guitar and amp confirmed by video and forum sources for 'The Artist in the Ambulance' era. Clean tone for verse/riff section. No evidence of pedal overdrive for clean part. Settings estimated based on typical Marshall JMP clean setup for this genre/era.
Amp Settings
Mids6
Bass6
Gain0
Reverb1.5
Treble7
Presence5.5
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Tone Character
- bright and articulate
- chimey and clear
- tight low end
- present upper mids
- slightly compressed
- dynamic and responsive
- minimal breakup
- subtle spring reverb
- percussive attack
- studio clarity
Notes & Caveats
- Gain adjusted to 0 for clean tone
- No direct amp knob settings found for the clean section; values estimated based on Marshall JMP clean tone conventions for early 2000s post-hardcore/rock.
- Guitar and amp confirmed for album era and video, but not explicitly stated for clean section; pickup choice inferred from typical clean tone and video hand position.
- No explicit pedal or modulation effect listed for clean section in sources; reverb assumed to be amp spring reverb at low level based on genre/era and audible ambience.
- If later interviews mention different gear (e.g., Helix, Jazzmaster, Vox AC30), these are from much later eras and not relevant to 2003 studio recording.
- Settings cross-referenced with genre and era conventions for accuracy. Thrice's 'All That's Left' riff features a tight, aggressive high-gain tone typical of early 2000s post-hardcore, likely using a Mesa/Boogie Dual Rectifier with moderate bass and mids, slightly boosted treble and presence for clarity, and minimal reverb for a dry, punchy mix.