Ahora Que No Estás — Los Bunkers1 / 2
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Ahora Que No Estás Riff Guitar Tone Settings — Los Bunkers

Los Bunkers · 2000s · rock

studio

Original Recording

Guitar
Fender Jazzmaster
Pickups
Fender Jazzmaster single-coil pickups
Amp
Unknown model (likely Fender tube amp, possibly Twin Reverb or similar, but not confirmed for this song/section)
Pickup Position
Bridge pickup

No direct source confirms the exact amp or pedal chain for 'Ahora Que No Estás' riff section. Fender Jazzmaster is cited as a key guitar for Los Bunkers' classic rock tone. Studio recording, album 'Vida de Perros' (2005). No evidence of live-specific gear for this section.

Amp Settings

Mids
7
Bass
6
Gain
5.5
Reverb
3
Treble
7
Presence
6

Effects Chain

  • Fulltone GT-500 Booster/Distortion · distortion

Fender Jazzmaster → Fulltone GT-500 Booster/Distortion (if used) → Fender tube amp (spring reverb on)

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Tone Character

  • warm and gritty
  • crunchy attack
  • articulate chord definition
  • dynamic and responsive
  • slightly compressed
  • classic rock edge
  • tight and punchy rhythm
  • melodic clarity
  • moderate sustain
  • rich midrange presence

Notes & Caveats

  • ⚠️No direct source confirms the exact amp model or pedal chain for 'Ahora Que No Estás' riff section.
  • ⚠️Settings are estimated based on typical classic rock Fender amp setup and Equipboard's description of Los Bunkers' tone.
  • ⚠️No explicit evidence of pedal use for this specific song/section; Fulltone GT-500 is mentioned as part of their sound but not tied to this recording.
  • ⚠️No evidence of time-based or modulation effects in the riff section; only overdrive/distortion is inferred.
  • ⚠️Amp model is not confirmed for this song; Fender tube amp is likely but not certain.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff section of 'Ahora Que No Estás' features a classic rock crunch with a slightly mid-forward, British-inspired tone typical of Los Bunkers' early 2000s sound. Their gear often included Vox and Fender amps, set for articulate, dynamic rhythm work with moderate gain, balanced EQ, and subtle reverb for space without washing out the attack.

Sources