GuitarDistortedSolo80% confidence
Achilles Last Stand (Remaster) Guitar Tone Settings
Led Zeppelin · 1970s · rock
studio
Original Recording
Guitar
1971 Gibson Les Paul Custom
Pickups
T-Top humbuckers
Amp
Marshall Super Lead 1959 (100W Plexi)
Pickup Position
Bridge pickup
Studio recording, 1975-1976 sessions for 'Presence'; solo section. No evidence of live rig or alternate guitars for this section. Effects chain includes phaser pedal, as confirmed by multiple sources.
Amp Settings
Mids7
Bass6
Gain6.5
Reverb2
Treble7
Presence6.5
Effects Chain
- MXR Phase 90 · phaser
Guitar → MXR Phase 90 → Marshall Super Lead 1959 (with light plate reverb)
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Tone Character
- singing sustain
- swirling phaser modulation
- aggressive upper-midrange bite
- tight and articulate
- classic British crunch
- rich harmonic overtones
- cutting, present solo tone
- dynamic pick attack
- slightly compressed
- notably modulated solo sound
Notes & Caveats
- No official studio amp settings found; amp and knob values estimated based on typical Marshall Plexi usage in 1970s rock and Jimmy Page's known preferences.
- Phaser effect confirmed by multiple sources and is clearly audible in the solo; model inferred as MXR Phase 90 based on era and Page's known gear.
- No evidence of delay, chorus, flanger, or wah in the solo section; only phaser is clearly audible.
- Exact pickup selector position not documented, but bridge pickup is standard for Page's solos of this era.
- No pedal settings found; typical Phase 90 speed estimated based on audio.
- Settings cross-referenced with genre and era conventions for accuracy. Jimmy Page's 'Achilles Last Stand' solo tone is a classic British rock crunch with forward mids, moderate gain, and a slightly bright but not harsh top end, likely from a cranked Marshall. The bass is solid but not boomy, presence adds clarity, and reverb is minimal, consistent with 1970s production and Page's typical amp settings.