TonesMatch
10's — Pantera1 / 2
Original RigYour Adaptation
GuitarDistortedSolo60% confidence

10's Solo Guitar Tone Settings — Pantera

Pantera · 1990s · metal

studio

Original Recording

Guitar
Washburn Dime 333 Dimebag Darrell Signature
Pickups
Bill Lawrence L-500XL (bridge humbucker), Seymour Duncan '59 (neck humbucker)
Amp
Randall RG-100ES Solid State Head
Pickup Position
Bridge pickup (Bill Lawrence L-500XL)

Studio recording, 1996. Dimebag's signature Washburn guitar with Bill Lawrence L-500XL bridge pickup was used for most solos on 'The Great Southern Trendkill'. The Randall RG-100ES was his primary amp for this era. Effects and EQ were often added via rack units and pedals. No evidence of live rig or alternate guitars for this solo.

Amp Settings

Mids
4
Bass
6
Gain
8.5
Reverb
0.5
Treble
8
Presence
7

Effects Chain

  • Dunlop Cry Baby Wah (likely DB-01 Dimebag Signature) · wah
  • Furman PQ-3 Parametric Equalizer · eq
  • MXR 126 Flanger/Doubler · flanger
  • Noise Gate (model unknown) · noise_gate

Guitar → Wah → Furman PQ-3 EQ → MXR Flanger/Doubler → Noise Gate → Randall RG-100ES

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Tone Character

  • tight and percussive
  • scooped mids
  • singing sustain
  • razor-sharp articulation
  • aggressive harmonics
  • high-gain saturation
  • cutting lead tone
  • punchy low end
  • searing upper mids
  • fast picking clarity

Notes & Caveats

  • ⚠️No direct studio documentation for '10's' solo section; gear and settings are inferred from era, interviews, and typical Dimebag setups for The Great Southern Trendkill.
  • ⚠️Pedal/effects models are based on Dimebag's known rig and what is clearly audible in the solo; exact pedal settings are not documented.
  • ⚠️Presence setting estimated based on typical Randall RG-100ES usage and Dimebag's tone.
  • ⚠️No evidence of alternate guitars or amps for this solo; all sources point to Washburn Dime 333 and Randall RG-100ES.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Dimebag Darrell's solo tone on '10's' is saturated and aggressive but tight, with a slightly scooped midrange, tight bass, and pronounced treble/presence for cut. He used a Randall solid-state amp with high gain, low reverb, and settings that emphasize clarity and attack, typical of mid-90s Pantera leads.

Sources